Sean Bryan, Chief Creative
Officer and ECD of Global Brands
Hi, I’m Sean Bryan. As a Chief Creative Officer since 2012, and a creative lead on major brands for several decades, I have always found that best way to create results for a brand is to help it brighten peoples lives. In 1993, I found my way into the creative department at J. Walter Thompson rather accidentally, by writing a skit for the office holiday party that the CCO thought was very funny. He asked me to bring the same sense of humor to some real assignments, and I have been at it ever since. From Bud Light to Microsoft, and from MasterCard to Verizon, I have always believed that brands need to earn a place in people’s lives, by improving them, even just a little. Whether that means just bringing a smile to someone’s face, or inspiring something more significant, I always strive to help brands make a positive difference in the world.
My career began at JWT, led me to DDB Chicago, and most recently to McCann, and I have been lucky enough work on some amazing brands along the way – McDonald’s, Kellogg’s, Kodak, Staples, GM, and too many others to name. I was the creative lead on Microsoft for a decade, and on Verizon for 18 years, and I love helping brands evolve over time. I find the best way to do that is to bring creative storytelling that goes beyond any one execution. By thinking in terms of long-running campaigns, I have helped to create brands that stand the test of time. For Verizon, that meant showing people the importance of a reliable network. For MasterCard, that means bringing Priceless experiences to people everywhere.
Building brands that make a difference requires more than just creativity. It requires teamwork and trust, amongst everybody at the agency and the client. I have always tried to build that trust by keeping an open mind, embracing a good idea no matter where it comes from, and keeping things fun. I have found that when the creative process is fun and upbeat, when people are cracking each other up in the hallway, you can feel that in the creative work. You can sense it on the screen. Conversely, when every step is tense, and every meeting is a struggle, you can unfortunately feel that in the creative work, too. So I always try to keep the process fun for everybody, not just to make the day more enjoyable, but to help the creative work.
I have been fortunate enough to sit on juries from Cannes Lions to the EFFIE’s. And I have been honored to win more than my fair share at the award shows, with over a hundred Cannes Lions, 9 Grand Prix, and two Titaniums so far. Outside of advertising, I developed an interest in children’s books, and along with my art director partner, I have published four illustrated children’s books. I live in Connecticut with my wife, who is a Shakespeare professor, and our many dogs.
Thanks for reading so far, and I would love to chat further about all of it.
Fearless Girl, State Street. Our clients wanted to announce a ETF fund focused on female led companies. It was a small assignment with a limited budget, but she made a big impact:
Awards
Grand Prix, Glass
Grand Prix, Titanium
Grand Prix, Outdoor
Grand Prix, PR
Adaptive Controller, Microsoft. I learned that my biggest client had a fairly small product launch, an xbox controller designed for everyone. We saw it as a perfect example of Microsoft at their best, empowering us all:
Awards
Grand Prix, Brand Experience
Gold Lion, Innovation
Gold Lion, Design, Consumer Tech
Cable Guy, Verizon home internet. Verizon wireless wanted to compete with cable and other home internet providers. We enlisted the most famous cable guy ever to help:
Awards
Top 20, USAToday AdMeter
Top 10. Most Liked Super Bowl Spots. Ace Metrix
Field Trip to Mars, Lockheed. Lockheed was struggling to recruit top young tech talent. We wanted to show what Lockheed technology could do in the world.
Awards
19 Cannes Lions
Generation Lockdown. There is a scary ritual that all schoolchildren experience. We decided to let adults see it through their eyes, to bring attention to the psychological costs of gun laws in America:
Awards
Grand Prix for Cannes
ADlaM, Microsoft. By adding a new language option to their software, Microsoft helped to save a dying language.
Awards
Grand Prix – Design
Grand Prix – Creative Business Transformatio
Gold Lion – Brand Experience
We helped Verizon salute America’s First Responders, by assembling an entire team on NFL Players and Coaches who would not be here today if they hadn’t been rescued by First Responders.
Awards
Silver Lion, Entertainment for Sport
Bronze Lions, Entertainment and PR
Kristin Schaal
Kristin Schaal, Pwnage, Xperia Play. We did a series of spots with the comedienne to basically demo a new phone. She had fun with it (this one is a bit older, so the quality of the link isn’t great).
Thoughts and Prayers
Thoughts and Prayers. A newly formed student group, March For Our Lives, came to us and asked us to provide them with a symbol. We gave them a provacative one:
Verizon Wireless Dead Zones
Don’t be afraid of Dead Zones, Verizon. A fun (older) campaign that dramatized how scary unreliable networks can be (again, quality is not great on this link)
Gaeten Matarazzo
Gaeten Matarazzo, “Good Neighbor” Verizon FiOS. At the height of “Stranger Things” mania, we enlisted Gaeten to help us talk about the importance of fiber optics.
The Brake Room
The Brake Room, Chick-fil-A. We worked with our clients to direct their famous hospitality to a new and deserving group (this is a news story, not a case film):
Touch Card, Mastercard.
Touch Card, Mastercard. We learned that blind customers had a unique problem using credit and bank cards, one that put them in a vulnerable position. We created a brilliantly simple solution.